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'Naz Nomad and The Nightmares' was a one-off project featuring the members of British punk and gothic rock band The Damned. Naz Nomad and The Nightmares released one album entitled Give Daddy The Knife Cindy in 1984. The album was packaged to look like the re-issue of a 1967 soundtrack album to a (fictitious) low budget American horror film. A copyright notice on the front cover claimed the film was 'Copyright 1967 American Screen Destiny Pictures', and credits are given for the film's stars, director and producer.

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The album itself featured covers of songs by garage rock and psychedelic acts who had influenced the Damned, plus two original numbers in the same style. Each member of the band took on pseudonyms different from those used in The Damned for the project.,,,,, 'phantasmagoria' Year: 1985 Label: Universal Format: CD, LP Tracks: 18 Time: 58 min. Genre: rock Style: Goth Rock. 'Phantasmagoria' is the sixth album by The Damned, released by MCA records in July 1985. Special editions were available on white vinyl or picture disc — some versions included a free 12' of their No. 3 hit Eloise. After much wrangling, the Damned received a new contract with MCA Records in October 1984 (past member Captain Sensible's hit solo career helped) and recorded the album in Eel Pie Studios between March and June 1985.

It reached No. 11 in the charts, and was the band's highest charting album ever.

The non-album single 'Eloise,' (a Barry Ryan cover), released six months later, became a huge UK hit reaching No. The Damned centred the entire album around David Vanian's deep voice, giving much of the album a gothic feeling.

'Edward the Bear' is a light pop tune sung by Roman Jugg. The album is currently out-of-print in North America but was remastered and reissued by Geffen Records in Japan in 2007, which features replicas of the LP's outer and inner sleeves and the CD's label resembles the white vinyl edition. One of the best gothic albums written ever. Excellent, 'anything' Year: 1986 Label: Universal Format: CD, LP Tracks: 9 Time: 34 min.

Genre: electronic Style: New Wave. After Captain Sensible left the Damned in 1984 when his solo career took off with the freak success of his single 'Happy Talk,' Dave Vanian took over the creative reins of the group, and he began nudging their music in a direction that reflected his growing interest in the goth movement. The Damned's flirtation with goth led to them signing a major label deal for the first time and enjoying one of their biggest commercial successes with the 1985 album Phantasmagoria.

But if that album found the Damned looking gingerly into a new direction, 1986's Anything was the sound of Vanian and company falling down a well; fans were probably savvy enough not to expect the Damned to sound like a straightforward punk band by this point, but most of Anything barely even qualifies as rock 'n' roll. The solo keyboard piece 'The Portrait' bears an unfortunate resemblance to Nigel Tufnel's 'Lick My Love Pump,' 'Restless' and 'In Dulce Decorum' meander at length for all their thunder (and John Kelly's echoing production makes everything thunders if it's meant to or not), 'Gigolo' suggests a failed merger of pop and prog rock, and 'The Girl Goes Down' is a faintly ridiculous song that borrows from a number of vintage pop styles without distinction.

Only 'Psychomania' and the title cut generate anything approximating the energy of the Damned's best music, and it's telling that easily the best song on the album is a cover, a reasonably faithful rendition of Love's 'Alone Again Or.' The Damned began to crumble after Anything, and the band broke up for a spell in 1989; somehow it all seemed fitting after releasing the worst original album in the group's catalog.

(*Review by ). You've Come a Long Way, Baby is the second studio album by English electronic music producer Fatboy Slim. It was first released on 19 October 1998 in the United Kingdom by Skint Records and a day later in the United States by Astralwerks. Cook recorded and produced the album at his home studio in Brighton, known as the House of Love, using an Atari ST computer, Creator software, and floppy disks. Its cover photo was originally taken at the 1983 Fat People’s Festival in Danville, Virginia; it was changed to an image of shelves stacked with records for its North American release. You've Come a Long Way, Baby proved to be Cook's global breakthrough album, peaking at number one on the UK Albums Chart and number 34 on the US Billboard 200.